Waxahatchee 1 year Anniversary St Cloud livestream - 'live' in Kansas

To mark the 1 year anniversary of the release of St Cloud Waxahatchee performed the album 'live' from La Villa, Kansas City.

 

I've been listening to Waxahatchee for some time now and it was the album St Cloud that really caught my attention. For me Katie Crutchfield has hit her stride. By that I mean that her vision and its realisation, the reason I've been an on and off listener for a few years now, has with St Cloud hit that sweet spot where I fully get and appreciate what she is doing.

The album was released a year ago and has been a favourite of mine since even naming a Spotify playlist after one of its stand out tracks 'Can't Do Much'. Released around the time that the world as we know it went into the rolling Covid lockdowns that have defined our existence since. The album was never toured. This aniversary gig was to present a band performance to a worldwide audience to say thank you for your support. It was worth the wait.

Filmed inside La Villa, Kansas City the airy white space with arched windows and a mix of dried and fresh flowers provided an open and bright, hopeful space to explore these songs.

This was a track by track run through of the album. That statement downplays the presentation - this was a band playing live with heart and sublety allowing the space for these songs to flow and connect with the audience.The band filled the space with a nod to the venue's bright and airy tones all washed out denims and flowers. It seems in these troubled times we need to keep hope, life and beauty to the fore. The band made it seem effortless and what they created was truly beautiful.

 

Those yearning melodic tunes with evocative lyrics -  we leave love behind /without a tear or a long goodbye or Swallow my pride/it's mine to quell/ I'll put you through hell/illput you through hell/ I - release a ramble of a sigh.

 

The mix of venue, band, lyrics and the sheer quality of this set of songs creates a mood at once light and hopeful but with a biting undercurrent that suggests an indie intelligence informing a natural and true americana heartbeat. This is a music that dwells in that cosmic american terrain explored by Gram Parsons where country, folk and rock cross paths. If this was the 1990s Micheal Stipe would be popping up on harmony vocals. He doesn't and those aching harmonies are left to the band members and hit the mark every time.

There are glimpses of the joy of this live set from the band - from Katie herself as the the main focus of the camera, but catch the sheer unbridled joy of the bass player as she delivers her harmonies and delivers her bass lines. This must have been a release for band members on ice for a year and now able to do what they do and do it so well.

 

In a blur of georgeous melodies and subtle playing we're onto the last song and the realisation that the show is nearing its end. What a blessing it is that once the album is complete the show continues with a cover of Dolly Parton's 'Light of a Clear Blue Morning' which starts tender and reflective before gradually building in intensity to a driving cathartic end everthing is going to be alright/it's gonna be ok.

With a bow to the audience and a nod to the band Katie vacates the stage as the band bring the show to an end.

Thank you Katie Crutchfield and Waxahatchee for your time, your beauty and your hope. It's gonna be ok.

Esther Rose 'How Many Times' IGTV pre-album release taster

 

 

Esther Rose - just Esther and a guitar, her voice, her songs...well there was a Hank Williams cover.

This was one of those short lo-fi IGTV to camera performances that Covid has gotten us all used to. Esther's new album has been eagerly anticipated and on the pre-released tracks such as the title track seems set to be a career highlight and one that will hopefully see her find a wider audience.

The IGTV performance was low key, honest and above all, and what these should be, intimate. The honesty of those songs, their worlds and the delivery via voice and guitar makes the point that Esther Rose is a talent and one we're going to enjoy hearing more from. Three songs from new LP How Many Times - 'real Good Time', 'Coyote Creek' and the title track plus a reading of Hank Williams 'I Can't Help It (if I'm still in love with you) and it was over. Leave 'em wanting more Esther!

I always like to reflect on how I found an artist, what platform, what link brought them to me. In this case it was a suggestion on Bandcamp and I clicked a few links and liked what I heard. I found I kept returning and listening some more. Then the songs for the new album started to appear and I was hooked.

So as I found her via Bandcamp here's the link so you can too - How Many Times | Esther Rose (bandcamp.com) 

photo credit : Galin Foley 

Patti Smith and her band perform Horses, Glasgow Royal Concert Hall Tuesday 9 June 2015

 From the Archive

I remember the instant buying of tickets when I heard about this gig - no questions I was going. I remember the journey through to Glasgow - waiting for the train at Waverley Station and noticing a certain cohort of people waiting to board the train - too many leather jackets and boots for the commuter crowd. This is an impression of her that night.

Patti Smith and her band - Horses

Patti Smith performs 'Horses' her first album 40 years on, track by track a & b side. That first album that hit and redefined everything in rock'n'roll. 

This is rock'n'roll and everything that rock'n'roll should be - electric, enviserating, alive, real, poetic and authentic.

Her voice distictive, aged, lived in, strong, revisits songs of love and death, hope and fear, power, passion and revelation. Her voice, hers, a womans voice, raw, tender, clear, sharp, yearning, resigned, rasping, distinctly hers.

Her music tonight is rock'n'roll as it should be, as it must be - a distillation of everything in popular music. Patti is rock, she is soul, she is the blues, she is the Chiffons, she is the Crystals, the Ronettes, the Rolling Stones, she is Little Richard, she is punk, she is a poet, she is a street troubadour, she is human, she is a girl, she is a woman, she is the real deal. 

Patti is my generation. Patti is a 69 year old woman singing rock'n'roll. Singing the perfect rock'n'roll album. Break it up.

'Jesus died for somebody's sins/but not mine'

originally written longhand without an Imperial or Olivetti typewriter an Apple Mac or PC.