Reflections on the live music that brought in 2020. Before the music
stopped. These gigs took place between January 15th and March 1st 2020.
As 2020 started my gig going was mapped out through to the summer. Tickets were booked for a series of gigs by artists I hadn't seen before. Some thought was being given to going to a festival with costs being weighed up against the roster of artists performing. Then it all stopped, quite abruptly. Coronavirus was known and its potential to shut things down was known and being trailed.
These are the performers I saw live before the lockdown and the end of live
music as we knew it.
Native Harrow
A welcome return from Native Harrow the collective name of Devin Tuel and Stephen Harms whose music causes me to use the word mesmerising to describe it because it simply is. I'd seen them before in a badly suited venue where they'd soldiered on while the audience dwindled and the casual drinkers wondered why the football was not on the screens. I'd stayed to the end of that gig out of solidarity but was too embarrassed for them to stay and chat afterwards. I did pen a review and hoped they'd be back soon.
And they were. This time they were in the more appropriate surroundings of the Voodoo Rooms and played a wonderful set of songs drawn from their breakthrough album 'Happier Now' and the at that point unreleased follow-up 'Closeness'. I stayed and spoke to them thanking them for coming back so soon and sharing a joke about the previous gig. It was a great start to the gig year and I left full of hope for a great year of live gigs.
https://nativeharrow.bandcamp.com/album/closeness
KT Tunstell
What a night! Part of the 'Burns and Beyond' festival where attendees ticket allows them access to various venues across Edinburgh for a night of music and poetry celebrating Robert Burns. I decided to stay at the assembly Rooms for the evening and catch 4 sets from KT Tunstell and band. It was worth it. Yes I heard some songs several times though thanks to some skillful rearrangements I was well entertained and got the jokes.
KT's all woman band played at full pelt throughout never lacking for energy. KT herself respendent in tartan encouraged the ever-changing crowd to join in. This was a party and eveyone was invited. As I said at the start what a night!
Postscipt: I came down with a flu-like illness following the gig hich saw me take most of the week off and I slept mostly. A precurser for the Covid-19 pandemic to come?
Ginger Cowgirl
I'd spotted the name Ginger Cowgirl on the listings of upcoming gigs at local bar the Leith Depot and was intrigued. Quick research revealed that Ginger Cowgirl was the stage persona of Stacy Antonel a young appropriately flame haired American singer/songwriter with a liking for honky-tonk music. I was in!
Touring alone she was backed on some songs by members of the support acts for the night and performed a set centred on the country honky-tonk styles of her eponymous e.p. On the song '6 weeks in Nashville' you could almost smell the bourbon (it possible did help that she was performing in a bar in Leith). There was an infectiousness about the performance as she drew the audience into the songs. The songs had swing to them that showed that she'd absorbed the various styles that make up country music - swing, country blues, honk-tonk vis Bakersfield and more besides. This is a talented songwriter with surely more to come.
https://gingercowgirl.bandcamp.com/album/ginger-cowgirl
Ira Wolf/Izaac Opatz
This was a first for me - an actual house concert. One of my newfound gig buddies Kendall had invited me and so a weekday journey to Stirling was undertaken. Ira Wolf is a singer/songwriter I'd found online and loved but didn't think I'd get the chance to see but here she was along with Izaac Opatz who again I'd found online (thanks to the random choices of Spotify).
By its very nature this was an intimate gig audience and performers mixing beforehand like any house party, getting to know one another, laughing, exchanging anecdotes.
To hear Ira and Izaac's songs so stripped back just voice and guitar was an experience I'll not forget quickly. Ira has a lonesome sound all of her own that no doubt comes from her solo touring round the states like a restless troubadour - another town, another audience, another set of songs, new acquaintances, thank you and goodbye see you later.
Izaac Opatz songs are a mix of wry observations of life and the things that happen that induce a smile and the occasional nod of recognition of some insight.
The two worked well together and the night was a good one with some other gig buddies there to chat to before the drive home.
Badge news: Ira wore an enamel badge that bore the legend 'Listen to Townes Van Zandt'.
Good advice. She also had her own badges that say 'Ira Wolf made me cry'. True.
https://izaakopatz.bandcamp.com/merch
My Glass World
This gig was the surprise in my early year gig schedule. In fact it wasn't scheduled at all. I got a text from a neighbour as I was returning home from a day in Fife saying he had a spare ticket and was I interested. To be honest I had to look up the band and was intrigued. The leader had played with various bands and other members had been in a variety of groups. It was Sunday night and it as the Voodoo Rooms (a certain symmetry there) so why not.
As we travelled to venue we talked about Covid 19 restrictions and the possible threat to gigs not really knowing that this gig was likely to be our last of the year.
My Glass World are lead by Jamie Telford (who my neighbour knew from University days). Jamie is a musician who has had a varied musical career that includes playing on hits by the Jam among others which would explain the quality of a band that also includes Sean Read who's worked with Beth Orton, Edwyn Collins and Dexy's Midnight Runners.
This was sophisticated music that showed flashes of influence from across the decades but was and is its own sound and song writing. It said to me this is what live music should and can be - something you've not heard before played well with life and exuberance matched with lyrics that both amuse and make you think, played by a band steeped in music playing their tunes their way.
As my last live music event of 2020 this was an unexpected delight.
https://www.facebook.com/MyGlassWorlds/
Where now? After the lockdown I joined the livestreams online at times finding it difficult to keep up with the various Facebook, YouTube and Instagram 'live' gigs. I started watching the pay to view gigs increasingly put on by many musicians but became choosy - I craved the event, entering a space with a group of musicians and sharing that space with them, the best of these gigs give you that albiet a strange distanced intimacy.
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