It's snowing in New Orleans - Beau Gris Gris and the Apocalypse live at the Voodoo Rooms

 Going to see Beau Gris Gris and the Apocalypse at the Voodoo Rooms when it was snowing in New Orleans was always going to be a special night. So I hoped and so it was. 

No support just a four to the floor rock'n'roll band playing to an enthusiastic audience for two and a half hours. 

They opened the night and their tour with the instant crowd pleaser 'What's My Name' audaciously introducing audience participation from song one. It worked and set the scene for the rest of the evening.

Beau Gris Gris are on the face of it the unlikely pairing of a skinny guitarist from Devizes and an ebullient singer from Louisiana have perfected a crowd pleasing sound mixing rock'n'roll, soul, americana and at times crunching glam guitar into the perfect night out. 

Slowing the pace down mid set with a stripped back acoustic guitar a voice and a brace of songs including a soulful cover of 'Nothing Compares 2 U'. 

The band are fronted by Greta Valenti and Robin Davey  and although this was a different backing band  than the last time I saw them  it was clear that these guys all add to the whole. 

After the band return the gig moves up a notch and there are audience invasions by Greta and Robin - there's bound to be film out there go find it. 

Finishing with a curfew pushing rendition of their 'Don't Let the Bastards Grind You Down' I can't help but feel that this is probably the best live band I've seen this year! If you get the chance don't miss them. 

Native Harrow - Voodoo Rooms Edinburgh

 I should really stop writing about Native Harrow gigs but they are so good I just can't. It's February so it is Native Harrow in Edinburgh gig time.  

It's the Voodoo Rooms for tonight which compared to my first review of them is the perfect venue. The Speakeasy room allows the intimacy for their warm Laurel Canyonesque tunes to connect with the audience. This tour to promote the recent album 'Old Kind of Magic' obviously heavily features songs from that album. Devin Tuel introduces 'Heart of Love' as a rare love song and after it an audience member shouts out 'write more love songs'. he might have a point but really for me that song which was definitely a stand out on the night actually encapsulates what what Native Harrow do best. Their songs seem timeless - see the Laurel Canyon reference. While they do have an echo of the canyons there are a lot of other influences in there. Stephen Harms bass runs show to these ears a jazz influence in their melody something he confirms afterwards - Danny Thompson is an influence. They perform as a two piece with Devin on guitar and vocals and Stephen on guitar, bass, keyboards and they manage to make it look easy as they capture the essence of their recordings and present something really quite sublime to their audience.

Native Harrow are much greater than the sum of their influences by a long stretch and I look forward to catching them again, perhaps next February. 

Shout out too for Maz O'Conner whose accomplished support helped create the mood for the night - stand out for me was her protest song 'Can't get enough of what I don't need'.  She's got plenty of other songs that you should find time to hear.

https://www.nativeharrow.com/

https://mazoconnor.com/

As the Storm Broke: the gigs of early 2020 before Covid-19 shut down live music

Reflections on the live music that brought in 2020. Before the music stopped. These gigs took place between January 15th and March 1st 2020.

 

As 2020 started my gig going was mapped out through to the summer. Tickets were booked for a series of gigs by artists I hadn't seen before. Some thought was being given to going to a festival with costs being weighed up against the roster of artists performing. Then it all stopped, quite abruptly. Coronavirus was known and its potential to shut things down was known and being trailed. 

These are the performers I saw live before the lockdown and the end of live music as we knew it.

Native Harrow

A welcome return from Native Harrow the collective name of Devin Tuel and Stephen Harms whose music causes me to use the word mesmerising to describe it because it simply is. I'd seen them before in a badly suited venue where they'd soldiered on while the audience dwindled and the casual drinkers wondered why the football was not on the screens. I'd stayed to the end of that gig out of solidarity but was too embarrassed for them to stay and chat afterwards. I did pen a review and hoped they'd be back soon.

And they were. This time they were in the more appropriate surroundings of the Voodoo Rooms and played a wonderful set of songs drawn from their breakthrough album 'Happier Now' and the at that point unreleased follow-up 'Closeness'. I stayed and spoke to them thanking them for coming back so soon and sharing a joke about the previous gig. It was a great start to the gig year and I left full of hope for a great year of live gigs.

https://www.nativeharrow.com/

https://nativeharrow.bandcamp.com/album/closeness 

KT Tunstell

What a night! Part of the 'Burns and Beyond' festival where attendees ticket allows them access to various venues across Edinburgh for a night of music and poetry celebrating Robert Burns. I decided to stay at the assembly Rooms for the evening and catch 4 sets from KT Tunstell and band. It was worth it. Yes I heard some songs several times though thanks to some skillful rearrangements I was well entertained and got the jokes.

KT's all woman band played at full pelt throughout never lacking for energy. KT herself respendent in tartan encouraged the ever-changing crowd to join in. This was a party and eveyone was invited. As I said at the start what a night! 

Postscipt: I came down with a flu-like illness following the gig hich saw me take most of the week off and I slept mostly. A precurser for the Covid-19 pandemic to come? 

Ginger Cowgirl

I'd spotted the name Ginger Cowgirl on the listings of upcoming gigs at local bar the Leith Depot and was intrigued. Quick research revealed that Ginger Cowgirl was the stage persona of Stacy Antonel a young appropriately flame haired American singer/songwriter with a liking for honky-tonk music. I was in!

Touring alone she was backed on some songs by members of the support acts for the night and performed a set centred on the country honky-tonk styles of her eponymous e.p. On the song '6 weeks in Nashville' you could almost smell the bourbon (it possible did help that she was performing in a bar in Leith). There was an infectiousness about the performance as she drew the audience into the songs. The songs had swing to them that showed that she'd absorbed the various styles that make up country music - swing, country blues, honk-tonk vis Bakersfield and more besides. This is a talented songwriter with surely more to come.

https://gingercowgirl.com/epk

https://gingercowgirl.bandcamp.com/album/ginger-cowgirl 

Ira Wolf/Izaac Opatz  

This was a first for me - an actual house concert. One of my newfound gig buddies Kendall had invited me and so a weekday journey to Stirling was undertaken. Ira Wolf is a singer/songwriter I'd found online and loved but didn't think I'd get the chance to see but here she was along with Izaac Opatz who again I'd found online (thanks to the random choices of Spotify).  

By its very nature this was an intimate gig audience and performers mixing beforehand like any house party, getting to know one another, laughing, exchanging anecdotes. 

To hear Ira and Izaac's songs so stripped back just voice and guitar was an experience I'll not forget quickly. Ira has a lonesome sound all of her own that no doubt comes from her solo touring round the states like a restless troubadour - another town, another audience, another set of songs, new acquaintances, thank you and goodbye see you later. 

Izaac Opatz songs are a mix of wry observations of life and the things that happen that induce a smile and the occasional nod of recognition of some insight.

The two worked well together and the night was a good one with some other gig buddies there to chat to before the drive home. 

Badge news: Ira wore an enamel badge that bore the legend 'Listen to Townes Van Zandt'. Good advice. She also had her own badges that say 'Ira Wolf made me cry'. True.

http://irawolfmusic.com/ 

https://irawolf.bandcamp.com/ 

https://www.izaakopatz.com/

https://izaakopatz.bandcamp.com/merch 

My Glass World

This gig was the surprise in my early year gig schedule. In fact it wasn't scheduled at all. I got a text from a neighbour as I was returning home from a day in Fife saying he had a spare ticket and was I interested. To be honest I had to look up the band and was intrigued. The leader had played with various bands and other members had been in a variety of groups. It was Sunday night and it as the Voodoo Rooms (a certain symmetry there) so why not.

As we travelled to venue we talked about Covid 19 restrictions and the possible threat to gigs not really knowing that this gig was likely to be our last of the year.

My Glass World are lead by Jamie Telford (who my neighbour knew from University days). Jamie is a musician who has had a varied musical career that includes playing on hits by the Jam among others which would explain the quality of a band that also includes Sean Read who's worked with Beth Orton, Edwyn Collins and Dexy's Midnight Runners.

This was sophisticated music that showed flashes of influence from across the decades but was and is its own sound and song writing. It said to me this is what live music should and can be - something you've not heard before played well with life and exuberance matched with lyrics that both amuse and make you think, played by a band steeped in music playing their tunes their way.

As my last live music event of 2020 this was an unexpected delight. 

https://www.facebook.com/MyGlassWorlds/ 

Spotify 

Where now? After the lockdown I joined the livestreams online at times finding it difficult to keep up with the various Facebook, YouTube and Instagram 'live' gigs. I started watching the pay to view gigs increasingly put on by many musicians but became choosy - I craved the event, entering a space with a group of musicians and sharing that space with them, the best of these gigs give you that albiet a strange distanced intimacy.